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A Return to the Intercontinental Ballroom Fourteen years after nervously stepping onto the stage as Balmain’s newly appointed creative director, Olivier Rousteing returned to the same opulent ballroom of the Intercontinental Hotel. The space, steeped in history and grandeur, has long been outgrown by the scale of Rousteing’s ambitions. Yet tonight, it served as the perfect backdrop to make a point: evolution is not about abandoning the past, but about embracing it while pushi

A cinematic return to sensuality Haider Ackermann has found his place at Tom Ford. There will only ever be one Tom, but Ackermann has clearly inherited the founder’s flair for the cinematic : that intoxicating blend of power, polish, and provocation. For Spring Summer 2026, he did not simply present a show; he directed one. “I told them I want them to seduce,” he said backstage. “They’re aware they’re seducing, but they act as if they’re not aware of it : it’s all this kind o

The magic of mornings in new york It’s a new dawn, it’s a new day, it’s a new life, it’s a new… Coach?” For spring 2026, Stuart Vevers...

Paris in June, the first day of Men’s Fashion Week and the final show of the evening. The raw forecourt of the Centre Pompidou turns into...

A desert reverie where time feels optional Emeric Tchatchoua, that quiet philosopher-designer behind the Parisian label 3.Paradis, has...