A CATWALK OF CONTRADICTIONS: THE LATEST PARADE OF DAVID KOMA

A Black and White Overture

The collection opens in sharp contrasts. Black and white dominate, sculpted into suits, fluid jackets, and trousers where details break away from rigidity. Transparency plays against opacity, tailoring against relaxation. Some jackets are worn on bare chests, as if shirts have been permanently banned from the wardrobe.

The result is immediate elegance, always disrupted by a twist that refuses to let things get too serious.

Knitwear That Refuses to Behave

Knitwear appears not as comfort, but as statement. Long, graphic, sometimes layered, the sweaters transform into couture objects rather than winter companions.

It is the idea of coziness rewritten: still warm, but now dressed for the spotlight.

Bombers and the Red Punchline

And then, the jackets arrive.

Some oversized, glossy, unapologetically bold, finished with a red faux-fur collar so monumental it becomes the instant signature of the collection. It is theatrical, it is absurd, and it is unforgettable.

Other bombers are pared down, paired with barely-there shorts, blurring the line between practicality and pure runway spectacle.

A Utility Detour

From black and white precision to theatrical bombers, the show veers into utilitarian territory. Olive-green jumpsuits, jackets with oversized pockets, distressed denim… yet nothing feels ordinary.

Every piece is lifted by embroidery, oversized flowers, or lush textures. Even camouflage, normally discreet, becomes decorative rather than functional.

Tailoring, Reimagined

Tailoring remains a constant thread, but it refuses to behave traditionally. Pinstripe suits are disrupted by oversized flowers pinned to lapels, trenches appear with a flair that borders on operatic. It is as though office attire suddenly discovered the joys of costume drama.

Denim and Fur: The Best Duo

Denim finds itself paired with extravagant fur. The contrast is sharp, almost playful: the everyday meets the excessive, the casual collides with the spectacular. The effect is intentionally careless, but every frayed edge is orchestrated.

Conclusion: The Art of Controlled Excess

David Koma’s collection thrives on contradiction. Elegance and absurdity, discipline and ease, luxury and nonchalance : all walk the runway together. The looks are not there to soothe; they are there to disturb, to amuse, to stick in the mind long after the lights go down.

Because fashion is not about sense. It is about surprise, about provocation, about that smile you suppress when something feels both fabulous and faintly ridiculous. Mission accomplished.

All the looks from the collection:

Watch the full show :