WHEN FRINGES MEET DRAPING AND IOANNES DECLARES SPRING SUMMER 2026 A VERY STYLISH APOCALYPSE

The Grand Entrance of Drama

The IOANNES Spring Summer 2026 runway was not here to whisper. It stormed in with attitude, wrapped in black, beige, khaki, and a whisper of dusty rose.

The show opened with swishing fringes long enough to sweep an entire sidewalk café in Paris, attached to a sleek black column dress that muttered “try walking past without noticing me, I dare you.” Immediately, sunglasses were omnipresent. This is not just a show, it is a collective decision to block eye contact for the next six months.

Draping as a Survival Mechanism

IOANNES loves fabric manipulation, and this season it became a manifesto. Dresses slouched, twisted, and spiraled around the body like they were plotting something.

There was a pale nude dress that clung like second skin, managing to look simultaneously casual and like it had survived a tornado. A khaki number cinched and draped with military precision suggested that if the world collapses, at least we will be well draped.

The collection seemed obsessed with asymmetry, unfinished hems, and ruching so intense it could probably be considered a sport.

The Obsession with Fringe, or How to Sweep an Entire Runway While Walking

Fringe was not just decoration this season at IOANNES, it was a full-on architectural decision. Long, swaying strips of fabric trailed from skirts, dresses, and even sleeves like extensions of the models themselves, creating the impression that the clothes had grown impatient and decided to keep walking after the body stopped.

One black dress seemed determined to sweep the floor clean of any dust, turning housekeeping into haute couture. Another look paired a fringed skirt with strappy heels, the whole effect resembling a curtain that had escaped from a decadent apartment and decided to try its luck on the runway.

The movement of the fringe caught the lights, sometimes chaotic, sometimes hypnotic, and always suggesting that standing still was not an option. IOANNES clearly wanted us to know: in Spring Summer 2026, even your outfit must multitask: dress, spectacle, and cleaning device all in one.

Unexpected Romance, but Make It Awkward

And then came the pinks. Yes, IOANNES, the high priest of draping and darkness, gave us pale blushes and soft roses. Not in a saccharine way, of course, because that would be far too obvious. Instead, a blush bandeau mini-dress clung awkwardly, as though it was trying to decide if it wanted to be lingerie or sculpture.

Another pastel moment included a pale pink jacket over a sheer body-skimming dress, styled with golden boots that screamed: “I’m romantic, but also invincible.” If Barbie had a breakdown at a Berlin techno club, it would look suspiciously like this.

The Footwear That Refused to Be Subtle

Let us pause for the shoes. Flat boots so high they almost touched the knee, suede boots that looked stolen from a Wild West wardrobe, razor-thin stilettos that made walking look like a dangerous sport.

One model wore bright red shoes under an austere black coat, and that little flash of rebellion was the closest thing this collection had to a punchline. Footwear here was never just an accessory, it was punctuation.

Sunglasses as the True Protagonist

No, but seriously. Sunglasses. Every single model wore them, as if IOANNES had decided that vision is overrated. Large, wrap-around, insectoid shades turned the entire runway into a declaration of emotional distance. “Do not talk to me, I am experiencing fashion.”

They were less accessory, more armor, and by the third look, it was clear that sunglasses were the actual protagonist of this collection.

Conclusion: Apocalypse, But Chic

IOANNES SS26 is not a cheerful collection. It is not florals and optimism. It is the fantasy wardrobe of someone who intends to survive both heartbreak and an actual warzone, and look unreasonably cool doing so. The palette of khaki, nude, and black keeps everything grounded, while the moments of blush and red puncture the severity just enough.

The draping is experimental, the fringes absurdly long, the tailoring sharp as ever. Sunglasses dominate the stage as if the sun itself had personally RSVP’d.

And as the last model disappeared in her oversized coat, carrying what looked like the fringed remains of an entire past life, one thing became clear: in the hands of IOANNES, Spring Summer 2026 is not about leisure or beach holidays. It is about survival, seduction, and absolutely no eye contact.

All the looks from the collection:

Watch the full fashion show here :